Tag Archives: Chinese Lantern Festival

NC Chinese Lantern Festival, 2020

This year, 2020, has been an unsettling year, burdened with more than its share of tragedy, leading up to a strange holiday season. As life got more constricted, large-scale gatherings fell by the wayside. Mid-autumn, our town announced that this year’s Chinese Lantern Festival, typically held during the shortest days of fall/winter in a large outdoor park, was reluctantly being canceled due to health and safety concerns. Bummer!  Another feel-good event fallen victim to the scourge of covid-19. 

For several previous years, winter evenings in our part of North Carolina had been brightened by the display of an abundance of LED-lit silk lanterns. The many lifelike or fanciful figures were variations on the traditional Chinese lanterns fabricated in a small Chinese city where the craft of lantern-making is centuries old. A Chicago-based affiliate helped organize and provide logistical support for American exhibits, which focussed more and more strongly on depictions of animals.

In late November, I finally got a welcome glimmer toward a pandemic-adapted “new normal.” After eight months of closures or “take-out-only books,” our regional library reopened. The spacious structure, open only a year or so when the pandemic upended life as we’d known it, had incorporated health screenings and stricter limits on the number of patrons at any given time in order to operate safely. The second or third day after the reopening, I ventured downtown to the library, passed the screening questions and the temperature check, and got my first “fix” of in-person perusal of both fiction and non-fiction titles. As I walked outdoors nearby, I noticed that a small open space (where the old library had been) had a collection of inflatable figures, being blown nearly off their moorings on this windy day—a very scaled down holiday display. It was a week or so before I had a reason to venture downtown again—to return some books.

Lo and behold, the flimsy figures in the open space had been replaced by a display of well-anchored, life-sized silk elephants, with a sign saying they were part of a diminished Chinese Lantern exhibit. I vowed to come back after dark to see them in their LED-infused glory. The display (one of seven, it turned out) had been positioned in a way that minimized the dangers of close contact. It was adorned with cautionary signs about social distancing, maximum numbers of people, and mask wearing. One weekday evening in December, my husband and I met a couple of local friends for a socially distanced ramble to see all of the animals—elephants, tigers, a rhino, red pandas, a bear and a jaguar, snakes, and eagles. 

My husband, who keeps up with local news more closely than I do but doesn’t always remember details, thought he’d seen that the figures were “on loan” from a zoo in the Midwest. Once we tracked down an appropriate reference, we found that earlier in the year they’d been part of an exhibit at the Cleveland Zoo, so hadn’t needed to make the lengthy trip from Zigong in order to enthrall North Carolina audiences.    

My hope is that the holiday season of 2021 will find the pandemic finally in our rear view mirror. Our town then may again be able to host a full (and pricier) version of the lantern festival. However, I think it’s heartening that even this year, though the lights may have been diminished temporarily, they haven’t been extinguished. Merry Christmas! Happy New Year! Happy (upcoming) Year of the Ox!

Elephant Lanterns

Tiger Lanterns

Year of the Phoenix?

Year of the Phoenix?   —by Jinny Batterson

During the shortest days of the year for the past several years, an exhibit of lighted figures has come to our town—a multi-acre display of LED-illumined silk lanterns produced in the Chinese city of Zigong, in Sichuan province. Zigong’s artisans have long crafted lanterns for Chinese festivals. In recent decades they’ve gained global fame for their beautiful handiwork. Increasing numbers of U.S. cities are using winter-dormant park spaces to mount both static and interactive displays. 

Our town’s display centerpiece is near the shore of a multi-acre lake: until this year a magnificent dragon (shown in a previous post—https://jinnyoccasionalpoems.com/2018/01/03/chinese-lantern-festival-an-american-version/).  When I attended this year’s event just before (western) New Year, I wondered, as I wandered down a slope decorated with shapes of real and mythical animals, if the dragon had taken its accustomed place. No dragon, not this year. Instead, an equally impressive floating display of a mythical phoenix, complete with pulsing lights going from head to tail.  

The night I saw the display, the weather was fairly mild for late December. Attendees from multiple cultural traditions mingled and oohed and aahed at the depiction of the fabulous bird. A little research about legends of the phoenix show the magic bird as a staple in the mythology of multiple civilizations, including Egyptian, Greek, and Chinese: 

“In Asia the phoenix reigns over all the birds, and is the symbol of the Chinese Empress and feminine grace, as well as the sun and the south. The sighting of the phoenix is a good sign that a wise leader has ascended to the throne and a new era has begun. It was representative of Chinese virtues: goodness, duty, propriety, kindness and reliability. Palaces and temples are guarded by ceramic protective beasts, all led by the phoenix.” ( https://www.ancient-origins.net/myths-legends/ancient-symbolism-magical-phoenix-002020; accessed 2020/03/27) 

When our town’s lantern display was packed up for return to Zigong in mid-January, it was nearly time for Chinese New Year (or “Spring Festival,” celebrated in 2020 starting on January 25). The upcoming Chinese year would start another cycle of the 12-animal Chinese zodiac, which includes the dragon, along with eleven other real-life animals (in sequence: rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog and pig). So far, the phoenix has not become part of the Chinese zodiac, though the mythic bird is often considered the feminine counterpart to the masculine dragon. 

Now that covid-19 has become a global pandemic, I’ve been asked, like more and more people all over the world, to self-isolate at home to reduce the speed of the virus’s spread, allowing health care systems time to adapt by “flattening the curve” of new infections. If I’m a bit bored, it’s a small price to pay for a larger social good. The next generation in our family includes two members of hospital medical staffs, and their safety is a big concern.  

This enforced time at home gives me license to engage in reveries about the mythical bird. Many legends of the phoenix depict it as an extremely long-lived creature who senses approaching death, builds her own funeral pyre, and then dies in fiery majesty. Shortly afterwards, the next generation of phoenix rises from the ashes.  

What might the symbol of the phoenix mean as 2020 begins with a global pandemic—the death of an overly competitive ethos and the dawning of an age of more thorough global cooperation? a rethinking of our interlocking systems of education, health care, corrections, and social welfare? a reining in of our preoccupation with material wealth? renewed reverence for the natural world that supports us all? 

Let’s hope that 2020 will turn out to be a year of the phoenix.   

Phoenix lantern at NC Chinese Lantern Festival

Chinese Lantern Festival, An American Version

Chinese Lantern Festival, An American Version  –by Jinny Batterson

Lantern Festival Lion

Happy (Western) New Year!  As global cultures mingle more often, more of us Americans of all backgrounds are getting exposure to holidays and calendars celebrated elsewhere.  For the past three years, a traveling exhibit of lighted silk-skinned “lanterns” has come to our North Carolina town during the darkest period of winter, a little earlier than the period of “Chinese New Year,” which typically occurs in late January or early February and includes a lantern festival on its final day.

Lantern Festival Dragon

Yesterday I braved colder than normal temperatures to see this year’s display at a local outdoor amphitheater that otherwise would be shuttered for the season. This year’s North Carolina Chinese Lantern Festival was bigger and better than ever, its signature lake-surface dragon periodically spouting water rather than fire into the frigid air.  Weather had diminished last night’s crowds somewhat, but not the enthusiasm of those who braved the elements, sometimes fortified with spiked hot chocolate or coffee. Most of the twenty-five major complexes of lights had placards describing them in both English and Chinese. 

“Lantern festival” in China is an old celebration, thought to have originated almost two thousand years ago, celebrated at the first new moon of the lunar new year, the final day of the two-week Chinese Spring Festival celebration.  According to legend, a leading Chinese deity, the Jade Emperor, was angry with villagers for killing a crane, one of his favorite birds. He planned to send down fire to destroy the village, but the villagers, warned by the emperor’s daughter, hung red lanterns around their houses, set off firecrackers, and lit bonfires in the streets, tricking the emperor into thinking the village was already on fire and thus saving the village. Ever since, in towns and villages throughout China, people parade with lanterns on the evening of  Lantern Festival.  If you have a chance to see the North Carolina version, please wear plenty of layers, and prepare to revel in winter light.