Tag Archives: virtual choirs

Hymn: How Can I Keep from Singing

How Can I Keep from Singing  (in Singing the Living Tradition #108, words adapted from Robert Lowry, tune traditional American folksong; during the pandemic, I’ve listened lots of times to a Podd brothers’ version on Youtube:

/watch?v=VLPP3XmYxXg) 

“My life flows on in endless song, above earth’s lamentation,
I hear the real, though far off hymn, that hails a new creation.
No storm can shake my inmost calm, while to that rock I’m clinging–
It sounds an echo in my soul, how can I keep from singing”…

As in-person singing has gotten severely curtailed during covid-related lockdowns, I’ve turned more and more often to online sources of music. I don’t have the talent or the patience to participate in a virtual choir, so I’m most grateful to those who have stepped up to fill gaps many of us hadn’t realized we had. 

This song exists with a variety of lyrics, some more Christian-oriented, others more earth-centered. One variation was even used as a protest song during the civil rights era of the 1960’s and 70’s.

The introduction to this version carries the caption: “In times of uncertainty, grief, and isolation, we find strength and joy in making music.”  Before the pandemic hit the New York City area in early 2020 like a ton of bricks, twins Adam and Matt Podd were already experienced musicians and choral directors.  For “How Can I Keep…”, they assembled a group of 140 musicians, both vocal and instrumental. They created a visual and sound collage of the hymn.  

Their virtual rendition was first released on Youtube in May, 2020. Since then it has been viewed over three quarters of a million times. It’s one of the sources of solace I turn to whenever the pandemic seems endless—endless song being a potent antidote.

Each time I watch and listen, I notice new singers and instrumentalists I hadn’t paid attention to in prior views: The trumpeter with the themed t-shirt “Keep Calm and Play On,” the mother-daughter duo featured as two of the first singers after the brothers’ piano introduction, the percussionist carefully watching the video screen to know when to play a part. I notice the interplay of single-frame faces with dual-frame or sometimes quadruple frame images: the Podds at the piano, or a couple of horn players, or a cellist or harpist or drummer. I marvel at the post-performance editing and production that must have gone into creating the finished virtual product. When this pandemic is finally over, my guess is that virtual choirs will lose some of their appeal. The magic of in-person group singing can’t quite be matched virtually. 

Today, December 21, 2021, we in the Northern hemisphere experience the winter solstice. Direct sunlight reaches its furthest point south. We’re partway through a series of the shortest days and longest nights of our year. This winter solstice, we’re reeling from yet another pandemic spike engendered by yet another viral variant—omicron. 

I’m very thankful that music like “How Can I Keep from Singing” continues to help many of us through the darkness, both the physical and the psychological. Though sometimes frightening, dark has redeeming qualities: “songs in the night it giveth.” Thank you to virtual choirs everywhere, and please, keep on singing!   

A Hymn-Inspired Variation on NaNoWriMo

As November 1, 2021 approached, I was intrigued by the concept of writing something special during the month of November. I wasn’t quite read to jump into an effort dubbed “NaNoWriMo,” or “national novel writing month,” now part of a global non-profit effort to encourage creative writing. I was aware that I don’t at this point have a novel in me. However, the discipline of writing something every day was appealing. 

After looking over my bulging bookcase, I decided that I’d try for a few days to write a daily appreciation of a favorite hymn and see where that effort took me. It resulted in 30 short to medium length essays, some fit for blog publication. I’ve included the complete hymn list at the end of this piece. Perhaps a few of my favorite hymns may speak to you as well.  

One of the aspects of social life that I’ve missed most during the pandemic is the practice of group singing, especially of choral singing in religious services. As the season of holiday choirs and caroling approaches, I miss this practice even more. So, for the next couple of weeks, I’ll post some additional “hymn appreciations” to the “Spiritual musings” thread of this blog. Where possible, I’ll include a link to an earlier example of an in-person choir performing the hymn, or to a pandemic-induced “virtual choir” performing. Best holiday wishes to all, and please, keep singing!   

As an introduction, I’ve penned a parody of a tune you may recognize, apologies to “The Sound of Music”…

Coolinge, Mandela, and Scots-English folk songs,
“Nothing but Peace,” tunes for righting of past wrongs,
Melodies passed down through thick and through thin,
These are some tunes to my favorite hymns.

Masten, and Jim Scott, and Denham and Câpek,
Writing last century on multiple topics,
Tunes and words wistful, or teeming with vim–
These authors crafted some favorite hymns.

“Lift Ev’ry Voice and Sing,” “Climb Jacob’s Ladder,”
“We’ll Build a Land” with room for children’s laughter,
“Gather the Spirit” with fife or with drums,
These are a few of my favorite hymns.

In pandemics, when I’m lonely, when life seems too grim,
I simply locate real or virtual choirs, and belt out a favorite hymn.

* * * * * * * * * * * * * * * * * * * * * * * * * * * *

List of hymns profiled in November, 2021 writings; hymns included in UU hymnal Singing the Living Tradition:

Now I Recall My Childhood #191, words Rabindranath Tagore, tune Sursum
Corda
Earth Was Given as a Garden #207, words Roberta Bard, tune Hyfrydol
We Are a Gentle, Angry People #170, words and music Holly Near
Wake Now, My Senses #298, words T.J.S. Mikelson, tune Slane (Irish melody)
How Can I Keep from Singing #108, variation of Quaker hymn, tune traditional
Bright Morning Stars Are Rising #357, words anonymous, tune American folk
song
Nothing But Peace Is Enough #167, words and music Jim Scott

Seek Not Afar for Beauty #77, words M.J. Savage, tune Coolinge
Faith of the Larger Liberty #287, words V.B. Silliman, tune Bit Freuden Zart
Love Will Guide Us #131, words Sally Rogers, tune Olympia
One More Step #168, words and music Joyce Poley
Turn Back #120, words Clifford Bax; and Here We Have Gathered #360, words
Alicia Carpenter; tune Old 124th from 1543 Genevan Psalter
Sleep, My Child #409, words adapted Alicia Carpenter, tune Ar Had Y Nos
Blessed Spirit of My Life #86, words and music Shelley Jackson Denham

For All That Is Our Life #128, words Bruce Findlow, tune Sherman Island
Enter, Rejoice, and Come In #361, words and music Louise Ruspini
Mother Spirit, Father Spirit #8, words and music Norbert Câpek
Every Time I Feel the Spirit #208, African-American spiritual
We Sing Now Together #67, words E.T. Buehrer, tune arr. Edward Kremser
Let It Be a Dance #311, words and music Richard Masten
Lift Ev’ry Voice and Sing #149, words James Weldon Johnson, music
J.Rosamond Johnson, dubbed by the NAACP as the Negro National Anthem

Though I May Speak with Bravest Fire #34, words Hal Hopson, and Surprised by
Joy #410 words Eric Routley; traditional Scottish or English folk tune
I Wish I Knew How It Would Feel to Be Free #151, words and music Billy Taylor
and Dick Dallas, tune called “Mandela”
We Are Climbing Jacob’s Ladder #211, African-American spiritual and We Are
Dancing Sarah’s Circle #212, words by Carole A. Etzler
We’ll Build a Land #121m words by Barbara Zanotti, music Carolyn McDade
Lady of the Seasons’ Laughter #51, words Kendyl L.R. Gibbons, music David
Hurd
There Is More Love Somewhere #95, African American hymn, tune Biko
Light One Candle #221, words and music by Peter Yarrow (of Peter, Paul and
Mary)

Gather the Spirit #347, words and music Jim Scott
I Know This Rose Will Open #396, words and music Mary Grigolia